Post (or repost) your pad mods, tweaks, or rolling impressions.
FYI, the stock pads:

S-Cush : Comfies - stock pads on SR60/i, SR80i

L-Cush : Bowls - stock pads on SR80/i, SR125/i, SR225/i, SR325/i/s, RS2/i, RS1/i
G-Cush : Jumbos/bagels - stock pads on GS1000/i, PS1000

Flats : stock pads on pre-John Grado headphones and first-generation RS1
The low down:
The comfies are the most comfortable among all the pads because of the equally distributed pressure around the ears. The drivers are quite close in proximity to the ears, which means that they will give you a warm, forward, but less detailed sound. If rolling into bowls isn's possible, most people do the "quarter mod" which is essentially cutting a hole in the middle of the pad that can be as small as a 5-peso coin to as large as the transducer opening itself. This lets out more detail.
The bowls are the tried and true pads for most of the John Grado line-up all the way to the RS1i. Comfort is subjective especially for long listening sessions, as the pressure areas on the ears are on the outside ring. The added distance of the drivers to the ears and most importantly the absence of obstruction is what seals the deal here--unhindered midrange, sparkly high frequencies, and tight bass. To those who have grown up with the house sound, this is the end-all of Grado pads.
Jumbo pads are the minority, because they only work well with the models they are released with, which are the Statement Series (GS) and Professional Series (PS). On the regular SR series, these pads add something alien to Grado--soundstage--but rob it of bass impact and unnecessarily add more sibilance.
The flat pads, only available from TTVJ, turn the familiar "in your face" descriptive term into "IN YOUR FACE"; not only are you on the stage with the artist, you are actually rubbing faces with him/her. Bass impact multiplies but I have not listened long enough yet to confirm if it becomes muddy. The close proximity to the ears would predictably mean a slight loss of detail.